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Note on Multitude
Double Bill #4
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7m 43s
by Ibro Hasanović • 2015 • Belgium, Kosovo, Bosnia and Herzegovina
A large and anxious crowd prevails in this chilling black-and-white short film, shot with one camera in Pristina, Kosovo, in 2015. Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.
Up Next in Double Bill #4
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The Migrating Image
by Stefan Kruse Jørgensen • 2018 • Denmark
Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths. Each segment takes its cue from the destination of the refugees, from the Mediterranean Sea to a warehouse...